internet source: Reggae Fusion |
Figure 1: Passo Basico
The basic Samba Reggae move, and very similar to the Side Basic Samba but w/I the weight change. Start dancing w/ feet a little apart. Feel the rhythm and interpret it by adding own expression to the basic move- use the whole body to dance w/ the beat.
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Move sideways onto LF
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Tap or touch the RF next to the LF
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Move sideways onto RF
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Tap or touch the LF next to the RF
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Figure 2: Passo de Mile Tyson
Includes the type of defensive shoulder shrug used by boxers like the world-class heavyweight champion Mike Tyson. Go to Bahia and everyone will know the Passo de Mike Tyson. There is no need to take steps in this move. Start w/ feet apart, standing on RF.
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Transfer weight onto LF and move L shoulder fwd, while making a fist w/ hands
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Transfer weight onto RF Andover R shoulder fwd, while making a fist w/ hands
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Figure 3: O Pente
Movements reable combing the hair, hence the name the “Comb”. In O Pente, there are no steps, so feet do not move. Start w/ feet apart, weight on RF.
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Transfer weight slowly onto LF, as turning upper body to the R. Draw L hand over head as if combing hair
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Transfer weight slowly onto RF, as turning upper body to the L. Draw R hand over head as if combing hair
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Figure 4: Passo de Pele
Tribute is paid to one of Brazil’s soccer superheroes in the “Pele Step”
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Move fwd onto LF
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Kick the RF fwd (as if kicking a football)
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Move back onto RF
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Tap LF behind but w/o transferring weight
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F
igure 5: Abrir a Cortina
igure 5: Abrir a Cortina
Means “Opening the Cutains”. The same as Passo Basico but w/ arm movements to mime opening curtains.
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Move sideways onto LF, extending the L arm and moving it outwards to end opposite the LF. Reset the R hand on the R hip
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Tap or touch the RF next to the LF
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Move sideways onto RF, extending the R arm and moving it outward to end opposite the RF. Reset the L hand on the L hip
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Tap or Touch the LF next to RF
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Figure 6: La Bailarina
The “Ballerna Step” and has a very similar pattern of Samba Whisk. During the move to the L, rotate the arms cw to end extended on the L side; during the move to the R, rotate the arms ccw to end extended on the R side.
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Move sideways onto LF
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Tap or touch RF behind LF, turning the RF out. Avoid lowering the R heel but maintain pressure through the toes
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Move sideways onto RF
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Tap or touch LF behind RF, turning the LF out. Avoid lowering the L heel button tail pressure through the toes.
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Get back to the 'Kandykane's Dance Learning Notes' or go to the 'Dance Glossary'.
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