Paso Doble is a dance not presenting
the lady but the man. Lady symbolizes the cape and the bull from time
to time.
A few points to note before making
steps:
* shaping is important as this very
shape is unique.
* heel steps and the distinctive appel
help define the dance.
* phrasing is important in Paso Doble.
Figure 1: Sur Place
Man |
Lady |
Count |
Movement |
Count |
Movement |
1 |
Transfer weight to RF in place. |
1 |
Transfer weight to LF in place. |
2 |
Transfer weight to LF in place. |
2 |
Transfer weight to RF in place. |
3 |
Transfer weight to RF in place. |
3 |
Transfer weight to LF in place. |
4 |
Transfer weight to LF in place. |
4 |
Transfer weight to RF in place. |
Figure 2: Basic Movement
Man (Forward) |
Lady |
Count |
Movement |
Count |
Movement |
1 |
RF forward (small step). |
1 |
LF back (small step). |
2 |
LF forward (small step). |
2 |
RF back (small step). |
3 |
RF forward (small step). |
3 |
LF back (small step). |
4 |
LF forward (small step). |
4 |
RF back (small step). |
Man (Backward) |
Lady |
1 |
RF back (small step). |
1 |
LF forward (small step). |
2 |
LF back (small step). |
2 |
RF forward (small step). |
3 |
RF back (small step). |
3 |
LF forward (small step). |
4 |
LF back (small step). |
4 |
RF forward (small step). |
Figure 3: Chasse to Left & Right (including Elevation)
Man (to Left) |
Lady |
Count |
Movement |
Count |
Movement |
1 |
Appel on RF |
1 |
Appel on LF |
2 |
LF side |
2 |
RF side |
3 |
Close RF to LF |
3 |
Close LF to RF |
4 |
LF side |
4 |
RF side |
Man (to Right) |
Lady |
1 |
RF side |
1 |
LF side |
2 |
Close LF to RF |
2 |
Close RF to LF |
3 |
RF side |
3 |
LF side |
4 |
Close LF to RF |
4 |
Close RF to LF |
Figure 4: Drag
Man |
Lady |
Count |
Movement |
Count |
Movement |
1 |
Flex knees and step to side on RF |
1 |
Flex knees and step to side on LF. |
2 |
Slowly draw LF toward RF. |
2 |
Slowly draw RF toward LF. |
3 |
Continue to draw RF toward LF. |
3 |
Continue to draw RF toward LF. |
4 |
Close LF to RF. |
4 |
Close RF to LF. |
Figure 5: Deplacement (also Attack)
Man |
Lady |
Count |
Movement |
Count |
Movement |
1 |
RF fwd ("Deplacement"), or Appel on RF ("Attack"). |
1 |
LF back ("Deplacement"), or Appel on LF ("Attack"),
according to man's lead. |
2 |
LF fwd |
2 |
RF back. |
3 |
RF fwd. |
3 |
LF back. |
4 |
Close LF to RF. |
4 |
Close RF to LF. |
Figure 6: Promenade Link (also Promenade Close)
Man |
Lady |
Count |
Movement |
Count |
Movement |
1 |
Appel on RF. |
1 |
Appel on LF. |
2 |
LF side in PP. |
2 |
RF side in PP. |
3 |
RF fwd & across in PP and CBMP. |
3 |
LF fwd in PP and CBMP. |
4 |
LF closes to RF. |
4 |
Close RF to LF. |
Figure 7: Promenade
Man |
Lady |
Count |
Movement |
Count |
Movement |
1 |
Appel on RF. |
1 |
Appel on LF |
2 |
LF side in PP. |
2 |
RF side in PP |
3 |
RF fwd in PP and CBMP. |
3 |
LF fwd & across in PP and CBMP |
4 |
LF side & slightly back. |
4 |
RF fwd, inside partner |
5 |
RF back, right side leading. |
5 |
LF fwd, left side leading |
6 |
LF back in CBMP, partner outside. |
6 |
Rf fwd in CBMP, outside partner |
7 |
RF side. |
7 |
LF side |
8 |
Close LF to RF. |
8 |
Close RF to LF |
Figure 8: Ecart (Fallaway Whisk)
Man |
Lady |
Count |
Movement |
Count |
Movement |
1 |
Appel on RF |
1 |
Appel on LFt. |
2 |
LF forward. |
2 |
RF back. |
3 |
RF side & slightly back in fallaway position. |
3 |
LF side & slightly back in fallaway position. |
4 |
LF back in fallaway position and CBMP, small step. |
4 |
RF back in fallaway position and CBMP, small step. |
Figure 9: Separation
Man |
Lady |
Count |
Movement |
Count |
Movement |
1 |
Appel on RF |
1 |
Appel on LF |
2 |
LF fwd |
2 |
RF back |
3 |
Close RF to LF |
3 |
LF back, away from partner |
4 |
Step on LF in place (feet together) |
4 |
Close RF to LF |
5678 |
1-4 Sur Place |
5678 |
4 small fwd walks, LRLR |
Figure 10: Separation with Lady's Caping Walks
Man |
Lady |
Count |
Movement |
Count |
Movement |
1234
5678 |
1-8 Seperation |
1 |
1-8 Seperation |
1234
56 |
Hold position of 1-6 Sur Place w/ feet together RL RL RL |
1234
56 |
6 fwd walks, LR LR LR |
7 |
RF side |
7 |
LF side |
8 |
Close LF to RF |
8 |
Close RF to LF |
Get back to the
'Kandykane's Dance Learning Notes' or go to the
'Dance Glossary'.