Paso Doble is a dance not presenting
the lady but the man. Lady symbolizes the cape and the bull from time
to time.
A few points to note before making
steps:
* shaping is important as this very
shape is unique.
* heel steps and the distinctive appel
help define the dance.
* phrasing is important in Paso Doble. 
Figure 1: Sur Place
 
 
 
 
 
  | Man | Lady | 
  | Count | Movement | Count | Movement | 
  | 1 | Transfer weight to RF in place. | 1 | Transfer weight to LF in place. | 
  | 2 | Transfer weight to LF in place. | 2 | Transfer weight to RF in place. | 
  | 3 | Transfer weight to RF in place. | 3 | Transfer weight to LF in place. | 
  | 4 | Transfer weight to LF in place. | 4 | Transfer weight to RF in place. | 
Figure 2: Basic Movement
 
 
 
 
 
  | Man (Forward) | Lady | 
  | Count | Movement | Count | Movement | 
  | 1 | RF forward (small step). | 1 | LF back (small step). | 
  | 2 | LF forward (small step). | 2 | RF back (small step). | 
  | 3 | RF forward (small step). | 3 | LF back (small step). | 
  | 4 | LF forward (small step). | 4 | RF back (small step). | 
  | Man (Backward) | Lady | 
  | 1 | RF back (small step). | 1 | LF forward (small step). | 
  | 2 | LF back (small step). | 2 | RF forward (small step). | 
  | 3 | RF back (small step). | 3 | LF forward (small step). | 
  | 4 | LF back (small step). | 4 | RF forward (small step). | 
Figure 3: Chasse to Left & Right (including Elevation)
 
 
 
 
 
  | Man (to Left) | Lady | 
  | Count | Movement | Count | Movement | 
  | 1 | Appel on RF | 1 | Appel on LF | 
  | 2 | LF side | 2 | RF side | 
  | 3 | Close RF to LF | 3 | Close LF to RF | 
  | 4 | LF side | 4 | RF side | 
  | Man (to Right) | Lady | 
  | 1 | RF side | 1 | LF side | 
  | 2 | Close LF to RF | 2 | Close RF to LF | 
  | 3 | RF side | 3 | LF side | 
  | 4 | Close LF to RF | 4 | Close RF to LF | 
Figure 4: Drag
 
 
 
 
 
  | Man | Lady | 
  | Count | Movement | Count | Movement | 
  | 1 | Flex knees and step to side on RF | 1 | Flex knees and step to side on LF. | 
  | 2 | Slowly draw LF toward RF. | 2 | Slowly draw RF toward LF. | 
  | 3 | Continue to draw RF toward LF. | 3 | Continue to draw RF toward LF. | 
  | 4 | Close LF to RF. | 4 | Close RF to LF. | 
Figure 5: Deplacement (also Attack)
 
 
 
 
 
  | Man | Lady | 
  | Count | Movement | Count | Movement | 
  | 1 | RF fwd ("Deplacement"), or Appel on RF ("Attack"). | 1 | LF back ("Deplacement"), or Appel on LF ("Attack"),
   according to man's lead. | 
  | 2 | LF fwd | 2 | RF back. | 
  | 3 | RF fwd. | 3 | LF back. | 
  | 4 | Close LF to RF. | 4 | Close RF to LF. | 
Figure 6: Promenade Link (also Promenade Close)
 
 
 
 
 
  | Man | Lady | 
  | Count | Movement | Count | Movement | 
  | 1 | Appel on RF. | 1 | Appel on LF. | 
  | 2 | LF side in PP. | 2 | RF side in PP. | 
  | 3 | RF fwd & across in PP and CBMP. | 3 | LF fwd in PP and CBMP. | 
  | 4 | LF closes to RF. | 4 | Close RF to LF. | 
Figure 7: Promenade 
 
 
 
 
 
  | Man | Lady | 
  | Count | Movement | Count | Movement | 
  | 1 | Appel on RF. | 1 | Appel on LF | 
  | 2 | LF side in PP. | 2 | RF side in PP | 
  | 3 | RF fwd in PP and CBMP. | 3 | LF fwd & across in PP and CBMP | 
  | 4 | LF side & slightly back. | 4 | RF fwd, inside partner | 
  | 5 | RF back, right side leading. | 5 | LF fwd, left side leading | 
  | 6 | LF back in CBMP, partner outside. | 6 | Rf fwd in CBMP, outside partner | 
  | 7 | RF side. | 7 | LF side | 
  | 8 | Close LF to RF. | 8 | Close RF to LF | 
Figure 8: Ecart (Fallaway Whisk)
 
 
 
 
 
  | Man | Lady | 
  | Count | Movement | Count | Movement | 
  | 1 | Appel on RF | 1 | Appel on LFt. | 
  | 2 | LF forward. | 2 | RF back. | 
  | 3 | RF side & slightly back in fallaway position. | 3 | LF side & slightly back in fallaway position. | 
  | 4 | LF back in fallaway position and CBMP, small step. | 4 | RF back in fallaway position and CBMP, small step. | 
Figure 9: Separation
 
 
 
 
 
  | Man | Lady | 
  | Count | Movement | Count | Movement | 
  | 1 | Appel on RF | 1 | Appel on LF | 
  | 2 | LF fwd | 2 | RF back | 
  | 3 | Close RF to LF | 3 | LF back, away from partner | 
  | 4 | Step on LF in place (feet together) | 4 | Close RF to LF | 
  | 5678 | 1-4 Sur Place | 5678 | 4 small fwd walks, LRLR | 
Figure 10: Separation with Lady's Caping Walks
 
 
 
 
 
  | Man | Lady | 
  | Count | Movement | Count | Movement | 
  | 1234 5678
 | 1-8 Seperation | 1 | 1-8 Seperation | 
  | 1234 56
 | Hold position of 1-6 Sur Place w/ feet together RL RL RL | 1234 56
 | 6 fwd walks, LR LR LR | 
  | 7 | RF side | 7 | LF side | 
  | 8 | Close LF to RF | 8 | Close RF to LF | 
Get back to the 
'Kandykane's Dance Learning Notes' or go to the 
'Dance Glossary'.